“A Gathering of Fugitives” () and “Beyond Culture” (), Lionel Trilling has seen . “Sincerity and Authenticity” can read like a Commonplace Book, where According to Trilling “sincerity” was a new concept when. Lionel Trilling, Sincerity and Authenticity, Cambridge, MA: Harvard University Press, Chapter 1. Sincerity: Its Origin and Rise. 用以比較的中文翻譯:. Lionel Trilling, Sincerity and Authenticity, Cambridge, MA: Harvard University Press, Chapter 4. The Heroic, the Beautiful, the Authentic. 用以比較的中文 .

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We cease to be humans. Aug 24, Andrew rated it really liked it. The artist–as he comes to be called–ceases to be the craftsman or the performer, dependent upon the approval of the audience. Yet the fact that in the lists of dramatis personae in the First Folio Iago alone is denominated ‘a villain’ suggests that, in his typical existence, a villain is a dissembler, his evil nature apparent to the audience but concealed from those with whom he treads the boards.

Plus he argues that culture and art contribute to these behavioural distinctions; they are “agents of conformity”.

Sincerity and Authenticity — Lionel Trilling | Harvard University Press

amd It is somtimes supposed that trillinb comic is a response to the tragic, that in its essence it is an adverse comment on the heroic. To Fielding it was always an astonishing fact that literature as he knew it from his adoration of the Greek classics was not consonant with life as he had to deal with it in [p. Somogy Varga – – In Rune Graulund ed. Cover of the first edition. We are no longer required to regard as wholly fortuitous the fact that the hero of Proust’s novel is named Marcel.

True, which is to say, as carpenters and bricklayers use the word, precisely aligned with him.

Rereading this amazing book. The assumption authentucity this epiphany is that human existence is in largest part compounded of the dullness and trivialty of its routine, devitalized or paralysed by habit and the weight of necessity, and that what is occasionally sinceritu forth, although it is not divinity as sincsrity traditional Christian meaning of the word would propose, is nevertheless appropriate to the idea of divinity: When Edmund Burke undertakes his Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful, he is perfectly forthright about the social import of the opposition he sets up between the two qualties that high art may have.


These words make our way of thinking about society. Not a bad review, but I did not write it. However, he does use the short formula “to stay true to oneself” to characterize the modern ideal of authenticity and differentiates it from the older autenticity of being a morally sincere person.

Sep 21, Patrick McCoy rated it really liked it Shelves: Although Trilling authentifity a brief overview of the character he uses, it means little to a reader who has never read the novel he uses. Rather than pull all of these ideas into a single literary and philosophical whole, he spends the last pages attacking a then current trend of regarding mental illness and schizophrenia as an heroic assertion of the self against the evils of society.

Being and Having Trilling further discusses the concept of “being” in terms of Wordsworth and Marx: Many of them were Jews trioling families had loinel to America from Russia or Eastern Europe in the early twentieth century.

The way down, as Heraclitus said, is the same thing as the way up. And if it can be called mine in any sense, if, because it is mankind’s best self, it must therefore by my best self, surely its being that exactly means it isn’t [as Keats called it] my sole self: Barzun is correct in fixing upon the novel, the pedagogic genre par excellence, as the chief opponent of the heroic view of life. In its commonest employment it has sunk to the level of a mere intensive, in which capacity it has an effect that negates its literal intention–‘I sincerely believe’ has less weight than ‘I believe’; in the subscription of a letter, ‘Yours sincerely,’ means virtually the opposite of ‘Yours’.

In its an with personality this criticism played an elaborate, ambiguous, and arbitrary game.

Lionel Trilling, Sincerity and Authenticity – PhilPapers

The sublime and the authentic trilking certainly not equivalent, but they have one trait in common, a settled anatagonism to beauty. And I don’t mean just references to their ideas that kind of float in public conciousness, I mean specific illustrative quotations, like sihcerity sprinklings of the Church Fathers that you get in the writings of Catholics. If the young prince is to become a king he must not only repudiate Falstaff, as from the first he intended, but also triumph over the captivating Harry Hostpur, the very embodiment of the heroic idea, praised as such by Hal’s own father: One topic of its polemic, which authfnticity reference to both aesthetic and social opinion, is the error of the view that beauty is the highest quality to which art may aspire.


Jul 21, J. But it soon came to mean the absence of dissimulation or feigning, or pretence. At one point he falls into the language of warfare, speaks of ‘struggles’ and ‘conquests’, and says that ‘the individual mind can only be represented by [Jane Austen] authenyicity.

It is this quality which wholly characterizes the protagonist of the novel. Joyce and Flaubert are also discussed.

Begin the Beguine To tell the story of this book, I really ought to define some of the key terms. Bently goes authenticith to assert both the inevitability and the positive value of role-playing. Lowness of social station, lowness even in a biological sense, is a necessary condition of the persons who provide Wordsworth’s epiphanies: We rightly speak of this change as a revolution.

That this is so suggests that authenticity is implicitly a polemical concept, fulfilling its nature by dealing aggressively with received and sincerit opinion, aesthetic opinion in the first instance, social and political opinion in the next.

Views Read Edit View history. Each one of us is the subject of that imperative and we think of the many difficulties and doubts which would be settled if only we obeyed it.

Sincerity and Authenticity

If we do not put the distance of condescension or contempt between us and her, we shall have to know that when Flaubert said, ‘Madame Bovary–c’est moi’, he was not making a preposterous paradox.

What the audience demands of the artist–really demands, its unconscious desire–and what the artist thinks it ought to be given turns out to be the same thing. No trivia or quizzes yet. The obsessiveness and obduracy of his sincerity amount to hubris, that state of being in which truth is obscured through the ascendancy of self-regarding will over intelligence.