DURUFLE PRELUDE AND FUGUE ON ALAIN PDF
The Prélude et Fugue sur le nom d’Alain, Op 7, is a tribute to Duruflé’s friend and colleague and the brother of the distinguished organist. Maurice Duruflé was a French composer, organist, and teacher. Contents. 1 Life and career Prélude et fugue sur le nom d’Alain op. 7 (); Prélude sur. Results 1 – 10 of 36 This page lists all recordings of Prelude & Fugue sur le nom d’Alain, Op. 7 by Maurice Duruflé ().
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Alain durutle among many French fighters evacuated from the Dunkirk beaches alongside the British Expeditionary Forces, whom they had been assisting. Debussy’s idea of ‘arabesque’ is reflected in this piece by juxtaposing contrasting sections, undulating melodies, and unconventional way of fugal writing.
The left hand durulfe the pedal punctuates the motive with chords. The result of this perfectionism is that his music, especially his organ music, tends to be well polished, and is still frequently performed in concerts by organists around the world. The triplet figures serve as the basis for the thematic material of the whole prelude. Streams Videos All Posts. He had begun composing the work infollowing a commission  from the Vichy regime.
The Subject 1 is a delicate eighth-notes figure slowly moving upward which spells out Alain’s name. Retrieved from ” https: Introspection Late Night Partying. Ignatius Loyola, New York City. alaim
Prelude and Fugue on the name A.L.A.I.N., for organ, Op. 7
Between many of the sections, there is a free alternation between different rhythms, harmonies, melodies, a,ain instrumental combinations For example, at measures 38,40 and 42, the right hand plays triplets figures similar to written out trills.
By continuing to use this website, you agree to their use. The transitions in this prelude also point out the contrasts between each section.
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L’ Organiste Parisien, The site is also available in several languages. At the same time, the F on the final eighth note at bar 42 and G on the next measure, changes the mode into lydian toward the B Section. Surprisingly, Subject 1 enters again with the second statement of Laain 2.
He later suggests the use of a solo stop with for the melody in section B 8′ flute with principal, Cornet or Oboe. A slight increase in tempo and a new theme in semiquavers bring an increase in tension, and this new theme is gradually combined with the first.
He was promoted to an Officier de la Legion pre,ude in Views Read Edit View history. You are commenting using your Facebook account. Sexy Trippy All Moods. Bibliography Ebrecht, Ronald, ed. InDebussy wrote a letter to his publisher, pointing out an important aspect of the musical revolution happened around the twentieth century.
Each section develops its own vector, its own force of contrasting shape and direction, which needs resolution or balance. Dances of Life and Death.
Prelude and Fugue on the name… | Details | AllMusic
fugje On 20 Junehe was assigned to reconnoitre the German advance on the eastern side of Saumur, and encountered a group of German soldiers at Le Petit-Puy.
Phillip Truckenbrod Concert Artists. There are two thematic elements at play here: Summer