This performance of Cardew’s monumental page graphic score Treatise was recorded live in Prague in by the Czech QUaX Ensemble, directed by. Treatise was Cardew’s most trail-blazing moment, a source of boundless ideas, controversies and rethinks. On the page his leaf graphic score is a beautiful . It is like stumbling across an alien manuscript, something unearthly and beautifully rendered, but incomprehensible. Cornelius Cardew’s Treatise has been.

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Treatise (music) – Wikipedia

All in all, this is a disc to admire and respect more than love – which is fine, because that’s just the way I feel about Treatise. German graphic designer and painter Anton Stankowski – worked on the possibility of…. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.

Please feel free to write us if you notice misattributions or wish something to be removed. Implicit in the title is a reference to the philosophy of Ludwig Wittgensteinwhich was of particular inspiration to Cardew in composing the work.

Gramophone’s expert reviews easier than ever before. Mainly the Visual Aspects,” Tempo Here is a visual analysis of the composition. The all-time greats Read about the artists who changed the world of classical music. Written between carewthe composition is made up of a graphic musical score of pages in a visual language invented by the author and completely distant from conventional music notation.


This site uses Akismet to reduce spam. Views Read Edit View history. Gramophone products and those of specially selected partners from the world of music. To each player they tfeatise whatever they mean. Cardes ask Keith Rowe.

The graphic richness of the score and its resemblance to abstract composition allow the piece to exist also as a purely visual work.

From Wikipedia, the free encyclopedia. Kotik met Cardew in Warsaw inand they began exchanging scores by mail, including Treatisewhich was a work in progress. Tilbury says of this performance: Skip to main content. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database.

Cardew Treatise

It is apparently only meant to indicate that the graphic elements are musical, not purely artistic, in character. Herbert Bayer was a prolific graphic designer and typography designer who also worked as a…. We worked regularly over a long period of time, ending up with a 2-hour version of the piece There are, however, almost infinite possibilities for the interpretation of Treatise that fall within the implications of the piece and general principles of experimental music performance in the late s, including presentation as treaise art and map-reading Anderson The tapes have been carefully restored and remastered, but there’s still plenty of vintage analogue airiness to the sound.

But every note is sincerity traetise, every sound pursued to a beautiful, authentic core. Trackbacks […] The Beauty of Indeterminacy. Leave a Reply Cancel reply Your email address will not be published. The Beauty of Indeterminacy.

Curiously, Cardew did not withdraw Treatise from publication despite his repudiation. Treatise is a musical composition by British composer Cornelius Cardew — It’s abundantly clear that the musicians were grappling with something difficult here, and that they’d spent some considerable time preparing their performance.


Disseminate mode Somei Satoh: Retrieved from ” https: Gregory Battcock New York: Cornelius Cardew Treatise Mode The older I get the more inclined I am to think that life’s not about finding the right answers but asking the right questions.

Except where otherwise noted, the content on this site is licensed under a Creative Commons Attribution-ShareAlike 3. The score is not accompanied by any explicit instructions to the performers in how to perform the work, or what sound-producing means are to be used.

And, although Treatise has often attracted free improvisers, we’re definitely not talking anything goes n’importe quoi I have serious doubts about some of the other tgeatise recordings of the work, though ; you can hear the players thinking, both in the long stretches of silence and in their explorations on instruments “none of us really tfeatise how to play. Orchestral Works mode Petr Kotik Profile. Although the bottom of each page has two five-line musical staves, this is not apparently meant to suggest piano or other keyboard instrument s.

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