Laurenz Brunner, Akkurat specimen (). The sans-serif typeface Akkurat, designed by the talented Swiss designer Laurenz Brunner and. Websites using the typeface Akkurat with personal recommendations for similar web fonts, suggested font Akkurat Type Specimen Akkurat Font Pairings. I hate it when I find out about an item that I really want after it’s already sold out. The Akkurat Specimen offered by Lineto and designed by.

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Little kids and big design lovers will adore these gifts. Akkurat became something of a mascot for this movement. The character set of Specimenn has grown from letters to characters, enabling text setting in over different languages.

For a long time I never considered releasing the font — I thought of it as my own personal writing tool. You’re currently working on a revision of the set.

The slow and monochromatic nature of the type design process and the engagement with anachronistic shapes creates an interesting contrast to many processes of our high-paced design culture.

Akkurat Cult designer Speclmen Brunner on the most popular Swiss typeface of the last decade. The concept of Akkurat was to shape a more universal tool, which I felt in the end could only go full circle by marooning it into in a broader context. speicmen

Tweets about ” Phaidon”. They are punch-cut for easy storage in standard folders.

My work is about a dialogue with content. But I’m always pleased to see meaningful work being done with it, in areas none of us could have predicted.


You choose not to present your portfolio online. It is a bummer that this great piece is no longer available.

Design of the Week: Akkurat

Since the release of Akkurat nearly 10 years ago, the font has developed its own life out there, far away from home, and has had some very successful and some very ugly relationships. Sign in Contact About. Laurenz Brunner, Akkurat Specimen Admittedly, I just made my first business card in years, simply because we discovered that there was some space left on the printing sheet of a larger corporate identity job.

A black weight has been added to the family and a number of new features and stylistic alternates have been added.

Akkurat Specimen

How does Akkurat relate to the rest of your work? My typeface was an anti-thesis to that context — a utilitarian typographic notion that, looking back, I was only able to embrace by living a healthy distance from Switzerland, my home country, famed for its modernist heritage.

Designed by Speecimen Brunner. It has its own page, for one, which incorporates an insightful text celebrating the functional font’s clean and crisp character. What projects are you currently working on? I wonder akurat anyone would like to donate a copy to me. That meant that new linguistic regions had to be covered.

I wonder if anyone would like to donate a copy to me; Keep up the great work on this site—inspiring stuff. Design of the Week: Julia Born, Beauty and the Book set in Akkurat My studio is based in Berlin, where we work with commissioners and collaborators in the cultural field within Europe and the US.


As I only had two minutes to do it, it didn’t turn out great, so I doubt I’ll ever use it.

Akkurat Specimen | AisleOne

Who is Tom Wainwright giving his book to this Christmas? If you would like to get your hands on a second edition as much as me, shoot them an email and maybe if enough of us request it we can get our hands on a copy. Like most graphic design it is inherently time and context specific, and therefore difficult to translate to the web without formalising it.

I’ve drawn over typefaces, most of them strictly used for one project only. This revision provides new shoes for a reliable workhorse. What made you draw it in the first place? Comes in a special foil-blocked sturdy cardboard envelope for safe delivery. We specialise in editorial design, communication, corporate design, research and education.

Who is Akkuat Sankova giving her book to this Christmas? An inspirational resource focused on design, typography, minimalism and modernism. It actually took several weeks for the first license to leave the shop, and it wasn’t until two or three years later that designers started becoming more interested in an ‘objective’ typographic style, reanimating a lot of classic Swiss design values.